EDUCATION
1990 School of Visual Arts: BFA
1985 Royal College of Art, London: Summer Program
1984 Parsons School of Design, New York: Summer Program
SOLO EXHIBITIONS
2006
Part I & II, Galería Javier López, Madrid
2005
Nyehaus, New York
2004
Space Junk Gallery, Grenoble, France
Abaton Garage, New Jersey
The Mark of Cain, Susanne Vielmetter Gallery, Los Angeles
2003
I am not like them at all and I cannot pretend, Sara Meltzer Gallery, New York
2001
Flight, Sara Meltzer Gallery, New York
2000
Flight Series Sara Meltzer Gallery, room 2, New York
Drawings, Suzanne Vielmetter Gallery, Los Angeles, California
Bond Related Noise, Elizabeth Cherry Contemporary Art, Tuscon, Arizona
1998
Platipussy, Galeria João Graça, Lisbon
Tattoo, Curt Marcus Gallery, New York
1997
Apartments/Platipussy/Ethel & Me, ARTRA, Milan
Male Pattern Baldness, Team Gallery, New York
1996
Platipussy, Jose Freire Gallery, New York
1995
Male Pattern Baldness, Javier Lopez Gallery, London
Male Pattern Baldness, Ridzhina Gallery, Moscow, organized by the Galerie Art & Public, Geneva
The Joy of Painting, HERE Gallery, curated by Alix Lambert and Ami Arnault
1994-1995
Round Twelve, MA Galerie [Galerie Emmanuel Perrotin], Paris
1994
Team Gallery, Washington
Playoff, Galerie Art & Public, Geneva*
Galleria Raucci/Santamaria, Napoli
1993
Daniel Newburg Gallery, New York
Galerie Kees Van Gelder, Amsterdam
1992
Alix Lambert by Kristine Ebert, Daniel Newburg Gallery, New York
*Catalogue
FILMS
2005
7 Impressions of Viggo
2004
Where the Sky Meets the Earth, Billabong Rabbits
2002
Box of Birds, The Malloys in New Zealand
Cami and her sister
2001
Stanley Kunitz: Poet Laureate 2000
Airborne
Icarus
2000
The Mark of Cain
1997
Platipussy
SELECTED GROUP EXHIBITIONS
2005
Black Noise, Basel Art Fair, Switzerland
SPORT, Socrates Sculpture Park, NY
2004
None of the Of The Above, The Swiss Institute, curated by John Armleder
SAC Gallery, NY
Cuerpos Pintados (Museum Exhibition), Santiago, Chile
2003
Woodstock Festival, Woodstock, NY
Ana Mendieta Performance Festival, ICARUS, Havana, Cuba
2002
Body Lines, The Museum of David, Jeruselum, Isreal
Tutto Bene, Lausanne, Switzerland
Momenta Gallery, Brooklyn, NY, curated by Deborah Kass
2001
Only Skin Deep: Changing visions of the American Self, International Center For photography, New York, NY
Bogus, Castle Gallery, New Rochelle, NY
Chelsea Rising, Contemporary Art Center, New Orleans
2000
Never Never Land, Florida Atlantic University, Boca Raton, FL
Side Lines, Makor, video screening.. Curated by Sara Meltzer
Kinsway Trilogy, video wall, Sara Meltzer Gallery, New York, NY
Game On! Sara Meltzer Gallery, New York, NY
New Photography, Baumgartner Gallery, New York, NY
Human Being and Gender, Kwangju Biennale 2000, Korea
Gender and Identity, The Parrish Museum of Art, Montauk, Long Island
1999
Curt Marcus Gallery, New York, NY
Antiworld, Gallery Untitled, Dallas, Texas
Photography Salon, Elizabeth Cherry Fine Arts, Tucson, Arizona
Museum of Contemporary Art, Tucson, Arizona
1998
The Chicago Project Room, Chicago, Illinois
Vienna Beef, Bricks & Kicks, Vienna
The Downtown Arts Festival, New York
Bang on the Can Benefit Show, New York
Libertine, Velocity Gallery, Brooklyn, New York
Remix, Team Gallery, New York
a posteriori, charlieuniformtango Gallery, Dallas
Vanessa Beecroft / Alix Lambert / Helmut Newton, l'elac (l'espace lausannois
d'art contemporain), Lausanne, curated by Lionel Bovier
Super Freak, Greene-Naftali Gallery, New York
Forde's Needles, Forde espace d'art contemporain, Geneva
1998-1997
The Young and Restless, Museum of Modern Art, New York, curated by Stephen Vitiello; travelling: Filmmakers Co-op, London; Contemporary Art Museum, Honolulu; Henry Art Gallery, Seattle; Kunstakademiet, Trondheim; Kunstbunker Tumulka, Munich; Cornell Cinema, Ithaca (New York); WRO Festival, Warsaw
1997
Coming Home Again, School of Visual Arts Gallery, New York, curated by Jeanne Siegel*
Des Histoires en Formes, Le Magasin, Centre National d'Art Contemporain, Grenoble, curated by Lili Laxenaire, Mari Linnman, Ingrid Martraix & Gabi Scardi*
Filmmakers Make Theater, P.S. 122, New York, direction of The Best Man, a piece written by John Dolan
1996-97
Up Close and Personal, Philadelphia Museum of Art, Philadelphia
1996
Ferbedienung: Does television inform the way art is made? Grazer Kunstverein, Graz (Austria), curated by Eva Maria Stalder & Thomas Trummer (Steirischen Herbst 96)*
Trois collections d'artistes, Musée des Beaux-Arts, La Chaux-de-Fonds
Push-Ups, The Factory, Athens Fine Arts School, Athens, curated by Emily Tsingou*
1995-96
All Dressed Up, Apex Art, New York, curated by Steven Rand*
1995
féminin-masculin / Le Sexe de l'Art, Centre Georges Pompidou, Musée National d'Art Moderne, Paris, curated by Marie-Laure Bernadac & Bernard Marcadé*
Mini Mundus, White Columns, New York, curated by Teresa Bramlette*
Speed Trials, Team Gallery, Washington D.C.
Drawings & Drawings, Galerie Kees Van Gelder, Amsterdam
Prospect 1986-94, Galerie Art & Public, Geneva
1994-95
Arte in Video, Inter Nos, Milan, in the selection made by Tommaso Corvi Mora
1994
Oh boy, it's a girl ! / Feminismen in der Kunst, Kunstverein München, Kunstraum Wien, Munich, Vienna*
Who Chooses Who, The New Museum, New York
Audience 0.01, Trevi Flash Art Museum, Trevi (Italy), curated by Helena Kontova; travelling: 1995, Otis Gallery, Los Angeles*
Daniel Newburg Gallery, New York
L'Hiver de l'amour / Winter of Love, Musée d'Art Moderne de la Ville de Paris ARC, Paris, curated by Elein Fleiss, Dominique Gonzalez-Foerster, Bernard Joisten, Jean-Luc Vilmouth & Olivier Zahm; travelling: PS1, New York*
1993
Vera Vita Gioia Galleria, Naples (Italy)
Massimo Di Carlo Galleria, Milan
Self Winding, Nanba City Hall, Sphere Max, Osaka, Tokyo, curated by Jeffrey Deitch
The Knitting Factory, New York
The Return of the Cadavre Exquis, The Drawing Center, New York; travelling: The Corcoran Gallery of Art, Washington; Santa Monica Museum of Art, Santa Monica (California); Forum for Contemporary Art, Saint-Louis (Missouri); American Center, Paris*
De Passage... / Furkart 93, Furkapasshöhe, Hotel Furkablick
Aperto '93, Biennale di Venezia, Venice (Italy), The Mere Interchange, curated by Francesco Bonami*
Nineties, John Gibson Gallery, New York, curated by Elizabeth Thompson
Edities & Unica, Galerie Kees Van Gelder, Amsterdam
Connecticut Grand Opera and Orchestra, Stamford, CT, in conjunction with BlueBeard, an opera by Offenbach
1992
A Whiter Shade of Pale, Galerie Sophia Ungers, Cologne, curated by Udo Kittelman
Daniel Newburg Gallery, New York
BACA Downtown, Brooklyn, New York
Andrea Rosen Gallery, New York
1991
4th Floor, 89 Greene Street, New York, curated by Kenny Schachter
Unlearning, 142 Greene Street, New York, curated by Kenny Schachter
Natalie Rivera Gallery, New York
H.O.M.E. for June, H.O.M.E. for Contemporary Art, New York, curated by Erik Oppenheim
Friendly, Dooley Le Cappellaine Gallery, New York, curated by Janine Gordon & Trudie Reiss
SELECTED BIBLIOGRAPHY
Catalogues and books:
Mastering the Melon, DAP, Galería Javier López, 2006
Art in the Making, DAP, Linda Weintraub, 2004
I am Not Like Them at All and I Cannot Pretend, Abaton Books 2004
Purple Ten Years, Purple Books, 2002.
Russian Prison Tattoos, Schiffer Publishing, by Alix Lambert 2003.
Lionel Bovier & Christophe Cherix Prise directe, Les Presses du reel 2002, pp. 65-70.
Visible Language, 36.1, Interview with Michael Golec and photo essay, 2002.
XX111Festival Des films Des Femmes, Creteil France, 2001.
Images of The Twentyfirst Century, 3rd Thessoloniki Documentary Festival, Greece, 2001.
VERA, Kort-Och documentary festival, Finland, 2001.
Chelsea Rising, Contemporary Arts Center, New Orleans, 2001.
America Above the Rim: Basketball Jones, New York University Press. Edited by Todd Boyd and Kenneth L. Shropshire, 2000, pp 1.
Open City, 2000, Russian Prisoners in Perm and Samara, a project by Alix Lambert, pp.182-193.
Tattoos by Alix, Abaton Book Company, edition 250.
Des Histoires en Formes, Le Magasin, Centra National d'Art Contemporain, Grenoble 1997, text by Mari Linnman & Ingrid Martraix, pp. 6-9 and text by Ingrid Martraix, pp. 62.64.
Coming Home Again, School of Visual Arts, New York 1997, text by Jeanne Siegel, pp. 3-7 and interview by Jeanne Siegel, pp. 65-68.
John Ruskin Lectures on Art, introduction by Bill Beckley, published by Allworth Press, pp.18.
Ferbedienung / Does television inform the way art is made ?, Grazer Kunstverein (Steirischen Herbst 96), Graz 1996, text by Eva Maria Stalder [n.p.].
Push-Ups, Athens Fine Arts School, Art Magazine Publication, Athens 1996, pp. 56-59.
Allison Moore (ed.), In the Margins / 19 Interviews, Montgomery Glasoe Fine Art, Minneapolis 1996, pp. 30-32.
féminin-masculin / Le sexe de l'art, Gallimard / Electa & Centre George Pompidou, Paris & Milan 1995, text by Marie-Laure Bernadac, pp.120-121.
Jenny Laden (ed.), White Columns. Update 1995, White Columns, New York 1995, text by Teresa Bramlette, pp. 50-51.
min.i.mund.us, White Columns, New York 1995, text by Teresa Bramlette, pp. 4-7.
Audience 0.01, Trevi Flash Art Museum, Giancarlo Politi Editore, Milano 1994, text by Helena Kontova.
Oh boy, it's a girl / Feminismen in der Kunst, Kunstverein München, München 1994, text by Hedwig Saxenhuber & Astrid Wege, pp. 9-12.
Male Pattern Baldness, Galerie Art & Public, Genève 1994, texts by Lionel Bovier, Elein Fleiss and Glenn O'Brien.
L'Hiver de l'amour bis, Mus_e d'Art Moderne de la Ville de Paris, Paris 1994, pp. 74-76.
Aperto '93, XLV Biennale di Venezia, Giancarlo Politi Editore, Milano 1993, text by Lisa Ruyter, pp. 326-327.
XLV Esposizione Internationale d'Arte Biennale di Venezia, Marsilio Editore, Venezia 1993, text by Francesco Bonami, pp. 258-269.
The Return of the Cadavre Exquis, The Drawing Center, New York 1993, text by Ingrid Schaffner pp. 43-74.
ARTICLES/REVIEWS
2005
The LA Weekly, Leroy Sievers (article and photograph by Alix Lambert)
The LA Weekly, Between Heaven and Hell
The Village Voice, Kim Levin, None of the Above
2004
Museo 7, Broken Typeface, Alexis Pauline Gumbs
Le Petit Bulletin, America America, Vincent Verle
ARTFORUM, Top Ten
Oyster Magazine, profile, Arlie Carstens
LA Weekly, Miles Kreuger, July
Topic, prison 5 (cover)
2003
Jayceland.com, Weekly Rochester events
Chronogram, Tattoo You, Irene Mcgarrity, Sept.
Film Fest New Haven, The Long and Shorts of it, Christopher Arnott
LA Weekly, Considerable People, Ron Athey, August
San Francisco Weekly, Celluloid Surf, Kevin Chanel, pg. 32, August 6th
Self Magazine, July
2002
Valley Voice, "Special Screenings", Nov. 7th
The Faculty and Staff Newspaper UCSB, vol.13, No. 5 , Nov. 4th
Daily Nexus UCSB, "The Mark of Cain", Nov. 1st.
The Independent, "Underneath the Skin", Johanna Reed, Oct.31st
Santa Barbara News Press, "The Mark of Alix", Starshine Roshell, Nov. 6th
Vice Magazine, Russian Prisons
Shauna Miller, Washington City Paper, The Mark of Cain at Visions.
Pedro Valez, FDA Issue 10, Heavy Metal and Alix lambert.
Kathy A. McDonald, Daily Variety, "Docus tell tough tales with passion," pg.A4, March 22
V Magazine, Works in Progress, Jan/Feb. Issue
Purple Prose, Portraits, Dike Blair
2001
Nitrate online.com, The Mark of Cain, KJ Doughton, Feb 15th
Time out Magazine, Martha Schwender, Dec.
Oberlin Review, Lambert to visit Oberlin, Christina Morgan, pg 13, April 20th
Skin and Ink, Feature, Matty Jankowski, pg. 16, January
2000
The Village Voice, Jessica Winter, Long Nights Journeys into day, Nov. 3
Newsweek, Susanne Vielmetter, pg. 62, Sept. 4
The Washington Post, Style Section, pg. C1_C5, July 27
The Village Voice, Vince Aletti, Show of Shows, July 18, pg.65
Time Out Magazine, Tim Griffin , Game On!, June 13, pg. 62
Babylon Boy, Sven's Best Free Sights, Russian prison Tattoos, May
Entertainment Weekly, Noah Robischon, "Net Grosses", May 12, pg. 81
The Stranger, "Bio Pic", May 26 - 31, pg. 75
International Tattoo Magazine, Comrades, May, p.95
ArtByte Magazine, Super Skytacular, May
Paper Magazine , Tim Griffin, May
GreenMagazine.com, Jami Attenberg, "Culture at What Price?", April 7
1999
The Dallas Morning News, D. Mitchell, " Antiworld at Gallery Untitled," March 26
ArtByte Magazine, Artist's project, "Test Pilot," April/May, p.78-79
Purple 3 "Questionaire: Interview With Alix Lambert", summer, p. 219
Southern Voice, Kimberly Yutani, "Big Mama Fest hits Atlanta,", March 4
Homoculture Elizabeth Elkins "Big Mama Cinefest celebrates women's films", March
Atlanta Press, Conal Byrne, "Big Mama likes it short,", March, pg.10
Creative Loafing, Felicia Feaster "Big Mama film series spotlights women filmmakers," March 6, pg.102
Flash Art, Martha Schwendener, "Alix Lambert," January/February, p. 95
1998
Biblia Goes to America #6, Artist's project, December, p.60
Tucson Weekly Margaret Regan, "Hazmat Arrives,", December 10, p. 40
Arte Ibérica João Louro, "Galeria João Graca: Alix Lambert,December, p. 74
Expresso, Celso Martins, "Alix Lambert," October
Flirt No. Alix Lambert Projeccao de Video," 2, September, p. 23
Independente, Ricardo Matos, "Alix Lambert e as Platipussy,", October 9,
Sexta-Feira, Luisa Soares de Oliveira, "Alix Lambert, Platipussy,", October 2
MicroCineFest '98 Festival Program, Skizz Cyzyk, "Interview with Platipussy Director Alix Lambert," November
The New York Times, Holland Cotter, "Alix Lambert,", September 18
Paper, Christine Muhlke, " Tattoo You, Too,"October
The New Yorker, "Goings on About Town", September 21
The Thing Dike Blair, " Tattoo," October 19
New York Magazine, "Preview Art, Photography", September 14
Nerve Magazine, Rachel Greene, "Wedding Project", September
Feed Magazine, Stephanie Syman, , September
Tema Celeste Elena Di Raddo, "Alix Stewart Lambert" in, n: 66, March, Milano, p. 63
Flash Art International Tiziana Casapietra, "Alix Stewart Lambert at Artra" in, vol. XXXI, n: 198, January-February, Milano, p. 53
Ingrid Martraix & Anad Demir, "En écoutant..." in Documents, n: 11, Automne-Hiver 97-98, Dijon, pp. 147-148
1997
Flash Art, Anno XXXI, n: 297, Tiziana Casapietra, "Alix Stewart Lambert" in, December-January, Milano, pp. 102-103
The World, Cover illustration and 8-page project ("Vito Acconci in his apartment") in, n: 53, Fall, New York, cover and pp. 55-61
Siren Magazine Gayle Nelson, "This is Platipussy" in, n: 2, October, San Francisco, pp. 24-25
UKS. Forum for Samtidskunst,Lisa Gold & Erik Hesby, "Young and Restless" 3-4, Oslo, pp. 79-81
Art in America Stephanie Cash, "Alix Stewart Lambert at Team" vol. 85, n: 7, July, New York, pp. 92-93
Libération, Elisabeth Lebovici, "L'intimité fait son lit" 28-29 juin, Cahier spécial, Paris, pp. XIV-XV
The New York Times, Roberta Smith, "The Young and the Restless", February 21, New York, p. C28 and p. C30
The Village Voice, Kim Levin, "As Short List" in February 18, New York, Section Voice Choices
New York SoHo Art Magazine, Christopher Chambers, "Picks from the Galleries" January, New York, p. 12
1996
Zapp Magazine, Platipussy, #7 March Issue
World Art, Kathleen Finley-Magnan, "Art Rock" n: 2, pp. 10-12
Flash Art International, Jen Budney, "Push-Ups" October, Milano, p. 74
Der Standard, Doris Krumpl, "Visionen von der Ferne in der Nähe" September 25
Neue Zeit, Franz von Niegelhell, "Das Fernsehzeitalter als ein Produktionsmittel der Kunst" September 25
Salzburger Nachrichten, Martin Behr, "Die VerfŸgbarkeit der (Flimmer-)Bilder" September 25, Salzburg
Axcess, Julia Cruz Teaff, "Alix Stewart Lambert. Pussy and Paranoia" June-July, San Diego, pg. 38
Flash Art International, Janine Gordon, "SM(art) Alex Videos" March-April, Milano, pp. 6 / 88-90
Interview, Richard Pandiscio, "Ones to Watch" March, New York, p. 76
Paper Magazine, Victoria Pendersen, "Gallery Go' Round", March, New York, p. 128
Time Out, Howard Halle, "Alix Stewart Lambert", February 21-28, n: 22, New York, pg.23
The New York Press, Stuart Servetar, "Galleries" February 4, New York, p. 61
1995
Purple Prose, Lionel Bovier, "X-Girl" n: 8, Hiver, Paris, pp. 18-20
FAT, FAT redaction, "New York Gladiators" n: 2, Winter, New York, pg. 42-43
Artforum, Olivier Zahm, "Alix Lambert" October, New York, p. 109
The Print Collectors Newsletter, Nancy Princenthal, "Artist's Books" July-August, p. 111
Purple Prose, Olivier Zahm, "La fuite vers le sport" été, Paris, pp. 68-71
Swing, Adrian Dannatt, "Art"vol. 1, n: 7, June, New York, pp. 48-53
The Moscow Times Reproduction, March 10, Moscow, p. 15
The Village Voice, Kim Levin, "The Joy of Curating", February, New York, pg. 78
Open City, Cover, n: 3, New York
1994
The New York Times Magazine, Stephen J. Dubner, "Rising Stars" in November 20, New York, pp. 59-63
Frauen Kunst Wissenschaft, Barbara U. Schmidt, "Jenseits polares Differenzen", Herbst, pp. 1-6
Kritik, Barbara U. Schmidt, "Oh boy, it's a girl" n: 3, pp. 24-32
Mirabella, Glenn O'Brien, "Woman Goes Bald for Art" n: 64, September, New York, p. 62
Art Press, Paul Ardenne, "L'Hiver de l'amour" Mai, Paris
Art+Text, Giorgio Verzotti, "Alix Lambert" n: 48, May, p. 84
Purple Prose, Dominique Gonzalez-Foerster, "Feature: Alix Lambert", Paris
Flash Art, Gabrielle Peretta, "Alix Lambert"April, Milano, pp. 116-117
BLAST, Project n: 4, New York
1993
Bomb, Project, Winter, New York
Zoom Magazine, Gianni Romano, "USA Viison"
Flash Art International, "Alix Lambert" summer, Milano Summer, Milano
The New Yorker "Alix Lambert", April 19, New York
New York Magazine, Edith Newhall, "Alix Lambert" April, New York
PaperMagazine, Valerie Filipovna, "Just Married to get Divorced" March, New York
Artpaper, Mike Mattison, "D-I-V-O-R-C-E" vol. 12, n: 7, March, New York, cover and pp. 12-13
Monthly Art Magazine, "A Whiter Shade of Pale", February
Flash Art International, José Lebrero Stals, "A Whiter Shade of Pale" January-February, Milano, p. 95
The New York Times, Roberta Smith, "The Younger Set", January 15, New York
1992
Terezoochio, Sanni Itschert, "Art Cologne 92", Trimestrale d'Arte Contemporanea, December
Budapest Weekly, "Alix Lambert" December, Budapest
Magyar Narancs, "Alix Lambert" December, Budapest
The Village Voice, Kim Levin, "Alix Lambert by Kristine Ebert" April 14, New York, p. 78
ACADEMIC POSITIONS AND LECTURES
2005
University at Stonybrook, Long Island, NY
2004
Carleton University, Ottawa, ON
2003
KGB bar, Reading and book-signing through Open City Books
University of Washington, Seattle, Washington
Evergreen College, Olympia, Washington
Art Institute of San Francisco, San Francisco, CA
2002
University of California, Santa Barbara
Art Institute of San Francisco, San Francisco, CA
Federal Bureau of Investigation, Crime Conference, Sacramento, CA
2001
Columbia University, NY, NY
San Diego State University, San Diego, CA
Evergreen State College, Olympia, Washington
Cornish College, Seattle, Washington
California Institute of the Arts, Visiting Artist, spring semester
Oberlin College, Ohio
UCLA, Los Angeles, CA
Columbia University, NY, NY
North Western University, Chicago, Illinois
2000
Tribeca Film Center, New York, NY
Seattle Asian Art Museum, Seattle, Washington
California Institute of The Arts, Visiting Artist, Fall Semester
Columbia University, New York, NY
1999
The New York Studio School, NY, NY
California Institute of The Arts, Valencia, CA
The Old School For Social Sculpture, Glen Wild, NY
The Mckinney Avenue Contemporary, Dallas, Texas
The University of Texas, Arlington, Texas
Bard College, Rhinebeck, New York
Brown University, Providence, Rhode Island
Drew University, New Jersey
1998
California Institute of The Arts, Valencia, CA
Chicago Art Institute, Chicago, Illinois
The New York Studio School, New York, New York, Rutgers College, Rutgers, New Jersey
1997-01
School of Visual Arts, New York, NY: Adjunct Professor
1997
Colgate College, Utica, New York
Brown University, Providence, Rhode Island
New York University, New York
Syracuse University, Syracuse, New York
Maryland Institute College of Art, Baltimore, Maryland
Loyola College, Loyola, Illinois
Art Institute of Chicago, Chicago, Illinois
University of Illinois, Chicago, Illinois
University of Wisconsin, Madison, Wisconsin
School of Visual Arts, New York
BROADCASTS
2005
Fuel TV, Where the Sky Meets The Earth
2004
American Radio Network, Interview with Helga Sitkin
Plum TV, video artist series, curated by Yvonne Force
Top Billing, South Africa, March 23rd
2002
KEYT The Voice of Santa Barbara, Interview with Jerry Cornfield, Nov.5th
PBS LIFE 360, The Malloys, Aug. 15th
PBS LIFE 360, Cami and her sister, Aug. 15th
PBS LIFE 360, Icarus, Jan.11th
PBS LIFE 360, Airborne, Jan. 11th
2001
PBS LIFE 360, Stanley Kunitz
ABC News Nightline, Women's Prisons in Russia
2000
WBAI, Pacifica radio, Nov. 3rd
Globo, Brazilian Television, Profile, The Mark of Cain, Sept. 19th
ABC News Nightline, The Zone, August 25th
1998
MSG Metro Art , November 5th
1997
Cine TV, Profile, December
MTV News, July 16
Channel 2 Evening News, Profile, February 21
ARTICLES AUTHORED / PHOTO ESSAYS / FICTION
2005
Index Magazine, Interview and photo essay with actor Chiwetel Ejiofor
Index Magazine, Interview and photo essay with undercover cop
LA Weekly, Interview and photograph with Leroy Seivers
LA Weekly, interview and photograph with David Milch
Los Angeles Times Magazine, Portrait of Miles Kreuger
Travel and Leisure, Vocation Vacation by Meghan Daum
2004
LA Weekly, Cover and photo essay, The Malloys
City Beat, RNC, photograph
Artforum, Top Ten List
Stewart+Brown, catalogue
Risen, The Malloys, September
Minus Times, Crime Series
Wired, List of Alix Lambert, October
LA Weekly, Miles Kreuger, photo and text, July
City Beat, Playboy Jazz Festival
City Beat, Portrait of Kurupt
Topic, prison, (cover)
City Beat, Portrait of Frazer Smith
2003
City Beat, Former Gang members
Purple, fiction, Crossfire
City Beat, portrait of Alison Anders
LA Weekly, Hustler
BIG Magazine, Tactical Break, VIP LA issue
Open City, "I am not Like Them at All and I Cannot Pretend"
2002
Remote, a DVD Magazine, ICARUS, Nov.
Open City, Portrait of Robert Bingham
2000
Purple Prose, Star Wars as a Remake of The Wizard of Oz, Number 6, winter
Word, "Bubbles," June
ArtByte Magazine, "Super Skytacular", May
Open City, "Russian Prisoners in Perm and Samara", Number 10
1999
ArtByte Magazine, "The Final Frontier," November
ArtByte Magazine, "Flight", July
1997
Word, "Russian Prison Tattoos"
FILM FESTIVALS
2005
Films en information, United Nations Human Rights Film Festival, Geneva, Switzerland
2004
Melbourne Independent Filmmakers Festival, Melbourne, FL
Prime Time Shorts, Chicago, IL
Aloha Theater and Performing Arts Center, Maui, Hawaii
2003
Miami Beach Film Society, Miami, Florida
Cape May New Jersey State Film Festival, NJ
Atlantic City Film Festival, Silver Award Documentary, Atlantic City, Maryland
New Haven Film Festival, New Haven, Connecticut
Chicks with Flicks Festival, NY, NY
Ana Mendieta Performance Festival, Havana, Cuba
Hot Springs Documentary Festival, Hot Springs, Arkansas
Woodstock Body Arts Festival, Woodstock, NY
High Falls Film Festival, Rochester NY
2002
United Nations Association Film Festival, Stanford, CA
Women in Cinema Festival, Seattle Wa.
2001
Vera Film Festival, Finland
Thessoloniki Documentary Festival, Greece
FemmeFilms Festival, Creteil, France
2000
Valladolid International Film Festival, Spain
The Amsterdam International Documentary Festival, November 24th - December 2nd.
The Margaret Meade Film Festival, New York, NY, November 3rd - 11th.
Impakt Festival, Subterfuge, Utrecht, Holland, May
1999
The Dallas Video Festival, Dallas, Texas, February
Big Mama Cinefest, Atlanta, Georgia, March
1998
MicroCineFest, Baltimore, Maryland November 4-8
Short Film & Video Festival, Arizona State University Museum, Tempe, Arizona, April 24
CURATORIAL PROJECTS
2005
Champion Gallery, Los Angeles
2003
Ana Mendieta Performance Festival, Guest curator, Havana, Cuba
1998
"Video: Past, Present and Future," Presentation and panel discussion, School of Visual Arts, NY
1995
The Joy of Painting, HERE Gallery, NY
GRANTS, RESIDENCIES AND AWARDS
2005
MAT Grant for individual artists
Salem Arts, residency
Nobody's Lunch residency with the Civilians
2003
Atlantic City Film Festival, Silver Award Documentary, Winner
The Public Theater, residency, NY (with The Civilians)
Nominated: BAUM award in photography
2002
Nominated: Truer Than Fiction Award: The Independent Spirit Awards.
Honorary G-monster award, The Blue Angels
2001
Nominated, Tiffany Award
Honorable Mention, French Association of Journalism
Fundacion America, Santiago, Chile
2000
Nominated, Tiffany Award
New York State Council on The Arts
Sunshine Foundation
PS1 Museum, Special Project Studio Program, NY
1999
Fundacion America, Santiago, Chile
ACTING
2004
Deadwood, HBO
Nobody's Lunch, The Civilians, PS 122, NYC
CONTRIBUTING EDITOR
Open City
Index Magazine
1990 School of Visual Arts: BFA
1985 Royal College of Art, London: Summer Program
1984 Parsons School of Design, New York: Summer Program
SOLO EXHIBITIONS
2006
Part I & II, Galería Javier López, Madrid
2005
Nyehaus, New York
2004
Space Junk Gallery, Grenoble, France
Abaton Garage, New Jersey
The Mark of Cain, Susanne Vielmetter Gallery, Los Angeles
2003
I am not like them at all and I cannot pretend, Sara Meltzer Gallery, New York
2001
Flight, Sara Meltzer Gallery, New York
2000
Flight Series Sara Meltzer Gallery, room 2, New York
Drawings, Suzanne Vielmetter Gallery, Los Angeles, California
Bond Related Noise, Elizabeth Cherry Contemporary Art, Tuscon, Arizona
1998
Platipussy, Galeria João Graça, Lisbon
Tattoo, Curt Marcus Gallery, New York
1997
Apartments/Platipussy/Ethel & Me, ARTRA, Milan
Male Pattern Baldness, Team Gallery, New York
1996
Platipussy, Jose Freire Gallery, New York
1995
Male Pattern Baldness, Javier Lopez Gallery, London
Male Pattern Baldness, Ridzhina Gallery, Moscow, organized by the Galerie Art & Public, Geneva
The Joy of Painting, HERE Gallery, curated by Alix Lambert and Ami Arnault
1994-1995
Round Twelve, MA Galerie [Galerie Emmanuel Perrotin], Paris
1994
Team Gallery, Washington
Playoff, Galerie Art & Public, Geneva*
Galleria Raucci/Santamaria, Napoli
1993
Daniel Newburg Gallery, New York
Galerie Kees Van Gelder, Amsterdam
1992
Alix Lambert by Kristine Ebert, Daniel Newburg Gallery, New York
*Catalogue
FILMS
2005
7 Impressions of Viggo
2004
Where the Sky Meets the Earth, Billabong Rabbits
2002
Box of Birds, The Malloys in New Zealand
Cami and her sister
2001
Stanley Kunitz: Poet Laureate 2000
Airborne
Icarus
2000
The Mark of Cain
1997
Platipussy
SELECTED GROUP EXHIBITIONS
2005
Black Noise, Basel Art Fair, Switzerland
SPORT, Socrates Sculpture Park, NY
2004
None of the Of The Above, The Swiss Institute, curated by John Armleder
SAC Gallery, NY
Cuerpos Pintados (Museum Exhibition), Santiago, Chile
2003
Woodstock Festival, Woodstock, NY
Ana Mendieta Performance Festival, ICARUS, Havana, Cuba
2002
Body Lines, The Museum of David, Jeruselum, Isreal
Tutto Bene, Lausanne, Switzerland
Momenta Gallery, Brooklyn, NY, curated by Deborah Kass
2001
Only Skin Deep: Changing visions of the American Self, International Center For photography, New York, NY
Bogus, Castle Gallery, New Rochelle, NY
Chelsea Rising, Contemporary Art Center, New Orleans
2000
Never Never Land, Florida Atlantic University, Boca Raton, FL
Side Lines, Makor, video screening.. Curated by Sara Meltzer
Kinsway Trilogy, video wall, Sara Meltzer Gallery, New York, NY
Game On! Sara Meltzer Gallery, New York, NY
New Photography, Baumgartner Gallery, New York, NY
Human Being and Gender, Kwangju Biennale 2000, Korea
Gender and Identity, The Parrish Museum of Art, Montauk, Long Island
1999
Curt Marcus Gallery, New York, NY
Antiworld, Gallery Untitled, Dallas, Texas
Photography Salon, Elizabeth Cherry Fine Arts, Tucson, Arizona
Museum of Contemporary Art, Tucson, Arizona
1998
The Chicago Project Room, Chicago, Illinois
Vienna Beef, Bricks & Kicks, Vienna
The Downtown Arts Festival, New York
Bang on the Can Benefit Show, New York
Libertine, Velocity Gallery, Brooklyn, New York
Remix, Team Gallery, New York
a posteriori, charlieuniformtango Gallery, Dallas
Vanessa Beecroft / Alix Lambert / Helmut Newton, l'elac (l'espace lausannois
d'art contemporain), Lausanne, curated by Lionel Bovier
Super Freak, Greene-Naftali Gallery, New York
Forde's Needles, Forde espace d'art contemporain, Geneva
1998-1997
The Young and Restless, Museum of Modern Art, New York, curated by Stephen Vitiello; travelling: Filmmakers Co-op, London; Contemporary Art Museum, Honolulu; Henry Art Gallery, Seattle; Kunstakademiet, Trondheim; Kunstbunker Tumulka, Munich; Cornell Cinema, Ithaca (New York); WRO Festival, Warsaw
1997
Coming Home Again, School of Visual Arts Gallery, New York, curated by Jeanne Siegel*
Des Histoires en Formes, Le Magasin, Centre National d'Art Contemporain, Grenoble, curated by Lili Laxenaire, Mari Linnman, Ingrid Martraix & Gabi Scardi*
Filmmakers Make Theater, P.S. 122, New York, direction of The Best Man, a piece written by John Dolan
1996-97
Up Close and Personal, Philadelphia Museum of Art, Philadelphia
1996
Ferbedienung: Does television inform the way art is made? Grazer Kunstverein, Graz (Austria), curated by Eva Maria Stalder & Thomas Trummer (Steirischen Herbst 96)*
Trois collections d'artistes, Musée des Beaux-Arts, La Chaux-de-Fonds
Push-Ups, The Factory, Athens Fine Arts School, Athens, curated by Emily Tsingou*
1995-96
All Dressed Up, Apex Art, New York, curated by Steven Rand*
1995
féminin-masculin / Le Sexe de l'Art, Centre Georges Pompidou, Musée National d'Art Moderne, Paris, curated by Marie-Laure Bernadac & Bernard Marcadé*
Mini Mundus, White Columns, New York, curated by Teresa Bramlette*
Speed Trials, Team Gallery, Washington D.C.
Drawings & Drawings, Galerie Kees Van Gelder, Amsterdam
Prospect 1986-94, Galerie Art & Public, Geneva
1994-95
Arte in Video, Inter Nos, Milan, in the selection made by Tommaso Corvi Mora
1994
Oh boy, it's a girl ! / Feminismen in der Kunst, Kunstverein München, Kunstraum Wien, Munich, Vienna*
Who Chooses Who, The New Museum, New York
Audience 0.01, Trevi Flash Art Museum, Trevi (Italy), curated by Helena Kontova; travelling: 1995, Otis Gallery, Los Angeles*
Daniel Newburg Gallery, New York
L'Hiver de l'amour / Winter of Love, Musée d'Art Moderne de la Ville de Paris ARC, Paris, curated by Elein Fleiss, Dominique Gonzalez-Foerster, Bernard Joisten, Jean-Luc Vilmouth & Olivier Zahm; travelling: PS1, New York*
1993
Vera Vita Gioia Galleria, Naples (Italy)
Massimo Di Carlo Galleria, Milan
Self Winding, Nanba City Hall, Sphere Max, Osaka, Tokyo, curated by Jeffrey Deitch
The Knitting Factory, New York
The Return of the Cadavre Exquis, The Drawing Center, New York; travelling: The Corcoran Gallery of Art, Washington; Santa Monica Museum of Art, Santa Monica (California); Forum for Contemporary Art, Saint-Louis (Missouri); American Center, Paris*
De Passage... / Furkart 93, Furkapasshöhe, Hotel Furkablick
Aperto '93, Biennale di Venezia, Venice (Italy), The Mere Interchange, curated by Francesco Bonami*
Nineties, John Gibson Gallery, New York, curated by Elizabeth Thompson
Edities & Unica, Galerie Kees Van Gelder, Amsterdam
Connecticut Grand Opera and Orchestra, Stamford, CT, in conjunction with BlueBeard, an opera by Offenbach
1992
A Whiter Shade of Pale, Galerie Sophia Ungers, Cologne, curated by Udo Kittelman
Daniel Newburg Gallery, New York
BACA Downtown, Brooklyn, New York
Andrea Rosen Gallery, New York
1991
4th Floor, 89 Greene Street, New York, curated by Kenny Schachter
Unlearning, 142 Greene Street, New York, curated by Kenny Schachter
Natalie Rivera Gallery, New York
H.O.M.E. for June, H.O.M.E. for Contemporary Art, New York, curated by Erik Oppenheim
Friendly, Dooley Le Cappellaine Gallery, New York, curated by Janine Gordon & Trudie Reiss
SELECTED BIBLIOGRAPHY
Catalogues and books:
Mastering the Melon, DAP, Galería Javier López, 2006
Art in the Making, DAP, Linda Weintraub, 2004
I am Not Like Them at All and I Cannot Pretend, Abaton Books 2004
Purple Ten Years, Purple Books, 2002.
Russian Prison Tattoos, Schiffer Publishing, by Alix Lambert 2003.
Lionel Bovier & Christophe Cherix Prise directe, Les Presses du reel 2002, pp. 65-70.
Visible Language, 36.1, Interview with Michael Golec and photo essay, 2002.
XX111Festival Des films Des Femmes, Creteil France, 2001.
Images of The Twentyfirst Century, 3rd Thessoloniki Documentary Festival, Greece, 2001.
VERA, Kort-Och documentary festival, Finland, 2001.
Chelsea Rising, Contemporary Arts Center, New Orleans, 2001.
America Above the Rim: Basketball Jones, New York University Press. Edited by Todd Boyd and Kenneth L. Shropshire, 2000, pp 1.
Open City, 2000, Russian Prisoners in Perm and Samara, a project by Alix Lambert, pp.182-193.
Tattoos by Alix, Abaton Book Company, edition 250.
Des Histoires en Formes, Le Magasin, Centra National d'Art Contemporain, Grenoble 1997, text by Mari Linnman & Ingrid Martraix, pp. 6-9 and text by Ingrid Martraix, pp. 62.64.
Coming Home Again, School of Visual Arts, New York 1997, text by Jeanne Siegel, pp. 3-7 and interview by Jeanne Siegel, pp. 65-68.
John Ruskin Lectures on Art, introduction by Bill Beckley, published by Allworth Press, pp.18.
Ferbedienung / Does television inform the way art is made ?, Grazer Kunstverein (Steirischen Herbst 96), Graz 1996, text by Eva Maria Stalder [n.p.].
Push-Ups, Athens Fine Arts School, Art Magazine Publication, Athens 1996, pp. 56-59.
Allison Moore (ed.), In the Margins / 19 Interviews, Montgomery Glasoe Fine Art, Minneapolis 1996, pp. 30-32.
féminin-masculin / Le sexe de l'art, Gallimard / Electa & Centre George Pompidou, Paris & Milan 1995, text by Marie-Laure Bernadac, pp.120-121.
Jenny Laden (ed.), White Columns. Update 1995, White Columns, New York 1995, text by Teresa Bramlette, pp. 50-51.
min.i.mund.us, White Columns, New York 1995, text by Teresa Bramlette, pp. 4-7.
Audience 0.01, Trevi Flash Art Museum, Giancarlo Politi Editore, Milano 1994, text by Helena Kontova.
Oh boy, it's a girl / Feminismen in der Kunst, Kunstverein München, München 1994, text by Hedwig Saxenhuber & Astrid Wege, pp. 9-12.
Male Pattern Baldness, Galerie Art & Public, Genève 1994, texts by Lionel Bovier, Elein Fleiss and Glenn O'Brien.
L'Hiver de l'amour bis, Mus_e d'Art Moderne de la Ville de Paris, Paris 1994, pp. 74-76.
Aperto '93, XLV Biennale di Venezia, Giancarlo Politi Editore, Milano 1993, text by Lisa Ruyter, pp. 326-327.
XLV Esposizione Internationale d'Arte Biennale di Venezia, Marsilio Editore, Venezia 1993, text by Francesco Bonami, pp. 258-269.
The Return of the Cadavre Exquis, The Drawing Center, New York 1993, text by Ingrid Schaffner pp. 43-74.
ARTICLES/REVIEWS
2005
The LA Weekly, Leroy Sievers (article and photograph by Alix Lambert)
The LA Weekly, Between Heaven and Hell
The Village Voice, Kim Levin, None of the Above
2004
Museo 7, Broken Typeface, Alexis Pauline Gumbs
Le Petit Bulletin, America America, Vincent Verle
ARTFORUM, Top Ten
Oyster Magazine, profile, Arlie Carstens
LA Weekly, Miles Kreuger, July
Topic, prison 5 (cover)
2003
Jayceland.com, Weekly Rochester events
Chronogram, Tattoo You, Irene Mcgarrity, Sept.
Film Fest New Haven, The Long and Shorts of it, Christopher Arnott
LA Weekly, Considerable People, Ron Athey, August
San Francisco Weekly, Celluloid Surf, Kevin Chanel, pg. 32, August 6th
Self Magazine, July
2002
Valley Voice, "Special Screenings", Nov. 7th
The Faculty and Staff Newspaper UCSB, vol.13, No. 5 , Nov. 4th
Daily Nexus UCSB, "The Mark of Cain", Nov. 1st.
The Independent, "Underneath the Skin", Johanna Reed, Oct.31st
Santa Barbara News Press, "The Mark of Alix", Starshine Roshell, Nov. 6th
Vice Magazine, Russian Prisons
Shauna Miller, Washington City Paper, The Mark of Cain at Visions.
Pedro Valez, FDA Issue 10, Heavy Metal and Alix lambert.
Kathy A. McDonald, Daily Variety, "Docus tell tough tales with passion," pg.A4, March 22
V Magazine, Works in Progress, Jan/Feb. Issue
Purple Prose, Portraits, Dike Blair
2001
Nitrate online.com, The Mark of Cain, KJ Doughton, Feb 15th
Time out Magazine, Martha Schwender, Dec.
Oberlin Review, Lambert to visit Oberlin, Christina Morgan, pg 13, April 20th
Skin and Ink, Feature, Matty Jankowski, pg. 16, January
2000
The Village Voice, Jessica Winter, Long Nights Journeys into day, Nov. 3
Newsweek, Susanne Vielmetter, pg. 62, Sept. 4
The Washington Post, Style Section, pg. C1_C5, July 27
The Village Voice, Vince Aletti, Show of Shows, July 18, pg.65
Time Out Magazine, Tim Griffin , Game On!, June 13, pg. 62
Babylon Boy, Sven's Best Free Sights, Russian prison Tattoos, May
Entertainment Weekly, Noah Robischon, "Net Grosses", May 12, pg. 81
The Stranger, "Bio Pic", May 26 - 31, pg. 75
International Tattoo Magazine, Comrades, May, p.95
ArtByte Magazine, Super Skytacular, May
Paper Magazine , Tim Griffin, May
GreenMagazine.com, Jami Attenberg, "Culture at What Price?", April 7
1999
The Dallas Morning News, D. Mitchell, " Antiworld at Gallery Untitled," March 26
ArtByte Magazine, Artist's project, "Test Pilot," April/May, p.78-79
Purple 3 "Questionaire: Interview With Alix Lambert", summer, p. 219
Southern Voice, Kimberly Yutani, "Big Mama Fest hits Atlanta,", March 4
Homoculture Elizabeth Elkins "Big Mama Cinefest celebrates women's films", March
Atlanta Press, Conal Byrne, "Big Mama likes it short,", March, pg.10
Creative Loafing, Felicia Feaster "Big Mama film series spotlights women filmmakers," March 6, pg.102
Flash Art, Martha Schwendener, "Alix Lambert," January/February, p. 95
1998
Biblia Goes to America #6, Artist's project, December, p.60
Tucson Weekly Margaret Regan, "Hazmat Arrives,", December 10, p. 40
Arte Ibérica João Louro, "Galeria João Graca: Alix Lambert,December, p. 74
Expresso, Celso Martins, "Alix Lambert," October
Flirt No. Alix Lambert Projeccao de Video," 2, September, p. 23
Independente, Ricardo Matos, "Alix Lambert e as Platipussy,", October 9,
Sexta-Feira, Luisa Soares de Oliveira, "Alix Lambert, Platipussy,", October 2
MicroCineFest '98 Festival Program, Skizz Cyzyk, "Interview with Platipussy Director Alix Lambert," November
The New York Times, Holland Cotter, "Alix Lambert,", September 18
Paper, Christine Muhlke, " Tattoo You, Too,"October
The New Yorker, "Goings on About Town", September 21
The Thing Dike Blair, " Tattoo," October 19
New York Magazine, "Preview Art, Photography", September 14
Nerve Magazine, Rachel Greene, "Wedding Project", September
Feed Magazine, Stephanie Syman, , September
Tema Celeste Elena Di Raddo, "Alix Stewart Lambert" in, n: 66, March, Milano, p. 63
Flash Art International Tiziana Casapietra, "Alix Stewart Lambert at Artra" in, vol. XXXI, n: 198, January-February, Milano, p. 53
Ingrid Martraix & Anad Demir, "En écoutant..." in Documents, n: 11, Automne-Hiver 97-98, Dijon, pp. 147-148
1997
Flash Art, Anno XXXI, n: 297, Tiziana Casapietra, "Alix Stewart Lambert" in, December-January, Milano, pp. 102-103
The World, Cover illustration and 8-page project ("Vito Acconci in his apartment") in, n: 53, Fall, New York, cover and pp. 55-61
Siren Magazine Gayle Nelson, "This is Platipussy" in, n: 2, October, San Francisco, pp. 24-25
UKS. Forum for Samtidskunst,Lisa Gold & Erik Hesby, "Young and Restless" 3-4, Oslo, pp. 79-81
Art in America Stephanie Cash, "Alix Stewart Lambert at Team" vol. 85, n: 7, July, New York, pp. 92-93
Libération, Elisabeth Lebovici, "L'intimité fait son lit" 28-29 juin, Cahier spécial, Paris, pp. XIV-XV
The New York Times, Roberta Smith, "The Young and the Restless", February 21, New York, p. C28 and p. C30
The Village Voice, Kim Levin, "As Short List" in February 18, New York, Section Voice Choices
New York SoHo Art Magazine, Christopher Chambers, "Picks from the Galleries" January, New York, p. 12
1996
Zapp Magazine, Platipussy, #7 March Issue
World Art, Kathleen Finley-Magnan, "Art Rock" n: 2, pp. 10-12
Flash Art International, Jen Budney, "Push-Ups" October, Milano, p. 74
Der Standard, Doris Krumpl, "Visionen von der Ferne in der Nähe" September 25
Neue Zeit, Franz von Niegelhell, "Das Fernsehzeitalter als ein Produktionsmittel der Kunst" September 25
Salzburger Nachrichten, Martin Behr, "Die VerfŸgbarkeit der (Flimmer-)Bilder" September 25, Salzburg
Axcess, Julia Cruz Teaff, "Alix Stewart Lambert. Pussy and Paranoia" June-July, San Diego, pg. 38
Flash Art International, Janine Gordon, "SM(art) Alex Videos" March-April, Milano, pp. 6 / 88-90
Interview, Richard Pandiscio, "Ones to Watch" March, New York, p. 76
Paper Magazine, Victoria Pendersen, "Gallery Go' Round", March, New York, p. 128
Time Out, Howard Halle, "Alix Stewart Lambert", February 21-28, n: 22, New York, pg.23
The New York Press, Stuart Servetar, "Galleries" February 4, New York, p. 61
1995
Purple Prose, Lionel Bovier, "X-Girl" n: 8, Hiver, Paris, pp. 18-20
FAT, FAT redaction, "New York Gladiators" n: 2, Winter, New York, pg. 42-43
Artforum, Olivier Zahm, "Alix Lambert" October, New York, p. 109
The Print Collectors Newsletter, Nancy Princenthal, "Artist's Books" July-August, p. 111
Purple Prose, Olivier Zahm, "La fuite vers le sport" été, Paris, pp. 68-71
Swing, Adrian Dannatt, "Art"vol. 1, n: 7, June, New York, pp. 48-53
The Moscow Times Reproduction, March 10, Moscow, p. 15
The Village Voice, Kim Levin, "The Joy of Curating", February, New York, pg. 78
Open City, Cover, n: 3, New York
1994
The New York Times Magazine, Stephen J. Dubner, "Rising Stars" in November 20, New York, pp. 59-63
Frauen Kunst Wissenschaft, Barbara U. Schmidt, "Jenseits polares Differenzen", Herbst, pp. 1-6
Kritik, Barbara U. Schmidt, "Oh boy, it's a girl" n: 3, pp. 24-32
Mirabella, Glenn O'Brien, "Woman Goes Bald for Art" n: 64, September, New York, p. 62
Art Press, Paul Ardenne, "L'Hiver de l'amour" Mai, Paris
Art+Text, Giorgio Verzotti, "Alix Lambert" n: 48, May, p. 84
Purple Prose, Dominique Gonzalez-Foerster, "Feature: Alix Lambert", Paris
Flash Art, Gabrielle Peretta, "Alix Lambert"April, Milano, pp. 116-117
BLAST, Project n: 4, New York
1993
Bomb, Project, Winter, New York
Zoom Magazine, Gianni Romano, "USA Viison"
Flash Art International, "Alix Lambert" summer, Milano Summer, Milano
The New Yorker "Alix Lambert", April 19, New York
New York Magazine, Edith Newhall, "Alix Lambert" April, New York
PaperMagazine, Valerie Filipovna, "Just Married to get Divorced" March, New York
Artpaper, Mike Mattison, "D-I-V-O-R-C-E" vol. 12, n: 7, March, New York, cover and pp. 12-13
Monthly Art Magazine, "A Whiter Shade of Pale", February
Flash Art International, José Lebrero Stals, "A Whiter Shade of Pale" January-February, Milano, p. 95
The New York Times, Roberta Smith, "The Younger Set", January 15, New York
1992
Terezoochio, Sanni Itschert, "Art Cologne 92", Trimestrale d'Arte Contemporanea, December
Budapest Weekly, "Alix Lambert" December, Budapest
Magyar Narancs, "Alix Lambert" December, Budapest
The Village Voice, Kim Levin, "Alix Lambert by Kristine Ebert" April 14, New York, p. 78
ACADEMIC POSITIONS AND LECTURES
2005
University at Stonybrook, Long Island, NY
2004
Carleton University, Ottawa, ON
2003
KGB bar, Reading and book-signing through Open City Books
University of Washington, Seattle, Washington
Evergreen College, Olympia, Washington
Art Institute of San Francisco, San Francisco, CA
2002
University of California, Santa Barbara
Art Institute of San Francisco, San Francisco, CA
Federal Bureau of Investigation, Crime Conference, Sacramento, CA
2001
Columbia University, NY, NY
San Diego State University, San Diego, CA
Evergreen State College, Olympia, Washington
Cornish College, Seattle, Washington
California Institute of the Arts, Visiting Artist, spring semester
Oberlin College, Ohio
UCLA, Los Angeles, CA
Columbia University, NY, NY
North Western University, Chicago, Illinois
2000
Tribeca Film Center, New York, NY
Seattle Asian Art Museum, Seattle, Washington
California Institute of The Arts, Visiting Artist, Fall Semester
Columbia University, New York, NY
1999
The New York Studio School, NY, NY
California Institute of The Arts, Valencia, CA
The Old School For Social Sculpture, Glen Wild, NY
The Mckinney Avenue Contemporary, Dallas, Texas
The University of Texas, Arlington, Texas
Bard College, Rhinebeck, New York
Brown University, Providence, Rhode Island
Drew University, New Jersey
1998
California Institute of The Arts, Valencia, CA
Chicago Art Institute, Chicago, Illinois
The New York Studio School, New York, New York, Rutgers College, Rutgers, New Jersey
1997-01
School of Visual Arts, New York, NY: Adjunct Professor
1997
Colgate College, Utica, New York
Brown University, Providence, Rhode Island
New York University, New York
Syracuse University, Syracuse, New York
Maryland Institute College of Art, Baltimore, Maryland
Loyola College, Loyola, Illinois
Art Institute of Chicago, Chicago, Illinois
University of Illinois, Chicago, Illinois
University of Wisconsin, Madison, Wisconsin
School of Visual Arts, New York
BROADCASTS
2005
Fuel TV, Where the Sky Meets The Earth
2004
American Radio Network, Interview with Helga Sitkin
Plum TV, video artist series, curated by Yvonne Force
Top Billing, South Africa, March 23rd
2002
KEYT The Voice of Santa Barbara, Interview with Jerry Cornfield, Nov.5th
PBS LIFE 360, The Malloys, Aug. 15th
PBS LIFE 360, Cami and her sister, Aug. 15th
PBS LIFE 360, Icarus, Jan.11th
PBS LIFE 360, Airborne, Jan. 11th
2001
PBS LIFE 360, Stanley Kunitz
ABC News Nightline, Women's Prisons in Russia
2000
WBAI, Pacifica radio, Nov. 3rd
Globo, Brazilian Television, Profile, The Mark of Cain, Sept. 19th
ABC News Nightline, The Zone, August 25th
1998
MSG Metro Art , November 5th
1997
Cine TV, Profile, December
MTV News, July 16
Channel 2 Evening News, Profile, February 21
ARTICLES AUTHORED / PHOTO ESSAYS / FICTION
2005
Index Magazine, Interview and photo essay with actor Chiwetel Ejiofor
Index Magazine, Interview and photo essay with undercover cop
LA Weekly, Interview and photograph with Leroy Seivers
LA Weekly, interview and photograph with David Milch
Los Angeles Times Magazine, Portrait of Miles Kreuger
Travel and Leisure, Vocation Vacation by Meghan Daum
2004
LA Weekly, Cover and photo essay, The Malloys
City Beat, RNC, photograph
Artforum, Top Ten List
Stewart+Brown, catalogue
Risen, The Malloys, September
Minus Times, Crime Series
Wired, List of Alix Lambert, October
LA Weekly, Miles Kreuger, photo and text, July
City Beat, Playboy Jazz Festival
City Beat, Portrait of Kurupt
Topic, prison, (cover)
City Beat, Portrait of Frazer Smith
2003
City Beat, Former Gang members
Purple, fiction, Crossfire
City Beat, portrait of Alison Anders
LA Weekly, Hustler
BIG Magazine, Tactical Break, VIP LA issue
Open City, "I am not Like Them at All and I Cannot Pretend"
2002
Remote, a DVD Magazine, ICARUS, Nov.
Open City, Portrait of Robert Bingham
2000
Purple Prose, Star Wars as a Remake of The Wizard of Oz, Number 6, winter
Word, "Bubbles," June
ArtByte Magazine, "Super Skytacular", May
Open City, "Russian Prisoners in Perm and Samara", Number 10
1999
ArtByte Magazine, "The Final Frontier," November
ArtByte Magazine, "Flight", July
1997
Word, "Russian Prison Tattoos"
FILM FESTIVALS
2005
Films en information, United Nations Human Rights Film Festival, Geneva, Switzerland
2004
Melbourne Independent Filmmakers Festival, Melbourne, FL
Prime Time Shorts, Chicago, IL
Aloha Theater and Performing Arts Center, Maui, Hawaii
2003
Miami Beach Film Society, Miami, Florida
Cape May New Jersey State Film Festival, NJ
Atlantic City Film Festival, Silver Award Documentary, Atlantic City, Maryland
New Haven Film Festival, New Haven, Connecticut
Chicks with Flicks Festival, NY, NY
Ana Mendieta Performance Festival, Havana, Cuba
Hot Springs Documentary Festival, Hot Springs, Arkansas
Woodstock Body Arts Festival, Woodstock, NY
High Falls Film Festival, Rochester NY
2002
United Nations Association Film Festival, Stanford, CA
Women in Cinema Festival, Seattle Wa.
2001
Vera Film Festival, Finland
Thessoloniki Documentary Festival, Greece
FemmeFilms Festival, Creteil, France
2000
Valladolid International Film Festival, Spain
The Amsterdam International Documentary Festival, November 24th - December 2nd.
The Margaret Meade Film Festival, New York, NY, November 3rd - 11th.
Impakt Festival, Subterfuge, Utrecht, Holland, May
1999
The Dallas Video Festival, Dallas, Texas, February
Big Mama Cinefest, Atlanta, Georgia, March
1998
MicroCineFest, Baltimore, Maryland November 4-8
Short Film & Video Festival, Arizona State University Museum, Tempe, Arizona, April 24
CURATORIAL PROJECTS
2005
Champion Gallery, Los Angeles
2003
Ana Mendieta Performance Festival, Guest curator, Havana, Cuba
1998
"Video: Past, Present and Future," Presentation and panel discussion, School of Visual Arts, NY
1995
The Joy of Painting, HERE Gallery, NY
GRANTS, RESIDENCIES AND AWARDS
2005
MAT Grant for individual artists
Salem Arts, residency
Nobody's Lunch residency with the Civilians
2003
Atlantic City Film Festival, Silver Award Documentary, Winner
The Public Theater, residency, NY (with The Civilians)
Nominated: BAUM award in photography
2002
Nominated: Truer Than Fiction Award: The Independent Spirit Awards.
Honorary G-monster award, The Blue Angels
2001
Nominated, Tiffany Award
Honorable Mention, French Association of Journalism
Fundacion America, Santiago, Chile
2000
Nominated, Tiffany Award
New York State Council on The Arts
Sunshine Foundation
PS1 Museum, Special Project Studio Program, NY
1999
Fundacion America, Santiago, Chile
ACTING
2004
Deadwood, HBO
Nobody's Lunch, The Civilians, PS 122, NYC
CONTRIBUTING EDITOR
Open City
Index Magazine